Wow. Just wow. It’s hard to remember the last time I felt like that after a movie. “Gone girl” was abso-fucking-lutely amazing.
The story follows Nick Dunne (Ben Affleck), who in the morning of his fifth wedding anniversary, discovers his wife Amy (Rosamund Pike) to be missing. With under police investigation and media attention, Nick falls under suspicion and the storyline gets more fucked up with every scene. “Gone girl” is a movie I’d categorise in pretty much every genre. It’s thrilling and intense crime movie, with occasional scenes that are so funny, the whole movie theatre laugh’s, only to experience mind-blowing horror in the next scene.
Writing about “Gone Girl” without spoiling the movie is extremely hard. We’re talking about a film so full of plot twists and turns, that the scenes were pretty much built up so that an intense scene would follow a peaceful scene and then again an intense scene, so the viewer could catch ones breath. Or at least that's what I did. I had to collect myself every now and then, because I was so overwhelmed. I stared at the screen in awe and forgot how to breathe normally. “Gone Girl” gives you clues and hints of what the possible outcome of the story is all throughout the movie, but crushes them all after every other scene. Still, the viewer always has something to hold on to, even though one knows, that truth is probably something completely different.
David Fincher has somehow made us question the most sacred union on planet earth- marriage. He makes it seem like an everlasting contest between lovers, where both try their hardest to outdo one another. Like that’s all there is to marriage, becoming so good at being married, that your other half just can’t criticise you. Fincher took the idea so far, that you probably feel disgusted with yourself, when the thought “who is my significant other r e a l l y?” crosses your mind after or during the movie. And the fact that he did that, is what makes it so amazing. Fincher has mastered portraying cold hearted characters who audience is drawn to (Se7en, Zodiac), but this time it’s fucking phenomenal. Major kudos to Ben Affleck and Rosamund Pike. I would have never expected either one of them to deliver with such perfection.
The movie has two big blocks, which are separated with the biggest twist in the story. It comes along roughly and hour into the movie. From that moment on, everything changes and the movie switches from slow, creepy, romantic memoirs and confusion to fast-paced, still creepy, psychological thriller.
Another thing I find extremely satisfying when it comes to G.G, is the accidental feminism part of the movie. There has been awhile since a movie with such a strong female characters saw daylight. First of all, the book, Gone Girl, which the movie is based on, is written by an amazing writer, Gillian Flynn. Pike nails the part with such grace and perfection that it leaves you wonder, why the hell aren't they making more movies like that. Why women are (most of the times) portrayed as victims, sidekicks, eyecandys. When is "Wonder Woman" coming out? And "Black Widow" movie? Or any movie, where there are cool kickass girls. Oh well..
G.G proves that you can't trust what you see. Or hear. Or even think. Everything's relative and changing all the time, but when it comes to G.G, I'm telling you, you can try but you won't be able to keep up. This movie is wild from the (creepy as hell!!!) opening scene to the closing titles.
“Gone girl” hooks you up so hard, that even though it’s been a week since I first saw G.G, I’m still puzzled and amazed. What was that? Out of body experience, that’s what.
Oh and Fincher, gongrats on your tenth feature film!
Written and Directed by Rick Famuyiwa.
Starring Shameik Moore, Tony Revolori, Kiersey Clemons, Blake Anderson, Zoë Kravitz, A$AP Rocky, Tyga, Forest Whitaker, Keith Stanfield, Casey Veggies, Vince Staples, Chanel Iman & Rick Fox"Malcolm is a high school geek with a high-top fade, carefully navigating life in The Bottoms, one of the toughest neighborhoods in Inglewood, California. He and his fellow outcasts share a voracious appreciation for all things '90s hip-hop, opting to sport Cross-Colours and Z. Cavariccis at the risk of being clowned at school. He dreams of attending Harvard, but first he has to make it home every day. When a drug dealer takes a shine to Malcolm and invites him to his birthday party, Malcolm’s crew is swirled into a hilarious blender of offbeat characters and bad choices where redemption can only be found in Bitcoin"
I'm so so so so so excited for this one. Crazy cast, crazy. Can't wait to see Tony Revolori, introduced in "Grand Budapest Hotel", in something so different, A$AP Rocky and Tyga as actors? Known for "Workaholics", comedian Blake Anderson, prodigy Zoë Kravitz, who has another movie coming up this year, "Roxxy'n'Vincent" (which, by the way, has Kid Cudi in it, awesome), Forest Whitaker as a narrator (!!!!!!), Chanel Iman.. I'm beyond excited. First screening would be in Sundance festival, so I guess it would be a while until it hits the cinemas or online-streaming. The trailer was uploaded from Childish Gambino aka one of my favorite actor/comedian/rappers youtube account, but I failed to find out what does he got to do with the movie. Looking forward to it though.
Starring: Michael Pitt, Brit Marling, Astrid Bergés-Frisbey
Genre: Drama, Sci-Fi
When Mike Cahill and Brit Marling first worked together to make the stunning movie that is Another Earth, my mind was blown. So obviously, when I heard that they were going to make another movie together, I couldn't keep myself from getting excited. Then the trailer came out and it was wonderful. And then a little bit after that Black Nights Film Festival hit Tallinn and this film was in the schedule. So I finally got to see I Origins.
Don't get me wrong - there are moments in the movie that are truly extraordinary but these moments are rare and hidden away in a pile of unnecessary information and story lines. The narrative is so all over the place the story can't even keep up with itself. It's hard to get into details without spoiling the movie but what annoys me the most is that the basic idea behind the story is actually really interesting and could've been quite innovative if it done, well… well.
Apart from Astrid Bergés-Frisbey (whom I really wasn't that amazed by but I think that has more to do with her character than the actress) I can't really say anything bad about the acting. (How could I if you've got Brit Marling in the movie?) Nor do I have any bad words for the soundtrack. (I'm still listening to it.) And even with the directing I had no problems with.
I think what made this movie seem to be lacking something is ironically the fact that the script had too much in it. Also (but this is a matter of personal taste) I was not fond of the shaky cam - I realise it was probably meant to give off a sort of realistic and raw vibe but in my case, it just didn't let me concentrate as much on the movie itself. But, if nothing else, I Origins is visually stunning. That's just… it.Oh well, I guess I'll just go back to watching Another Earth again.
Starring: Perdita Weeks, Ben Feldman, Edwin Hodge
Before I start with another horror movie review, I have to say I live for horror movies. Freddy Krueger was my first love, Vincent Price will soon become my next tattoo and so on. So where does that leave me before seeing another horror movie?
Freaking excited. I have the ability to ignore all the not-so-great-reviews and rumours and easily sit in a movie theatre with my poor little heart pounding and a bucket full of popcorn, waiting for the opening scene like a fat kid waits for one's Happy Meal. (Agghhhhh, Horror!)
Anyway, this time the movie was the fresh “As above, so below”. First things first - the poster looks awesome. (Second awesome movie poster this year actually.) It’s rare to find anything interesting when it comes to film marketing, especially in the trailers and posters. But the fucked up Eiffel tower and everything... Sweet.
So about the movie. It might be an unpopular opinion but I really liked it. It did what any horror movie should do - scare you and make you doubt the good and the bad in the universe. But what was special about AASB was that it was all done without using any scary music - the jump scare scenes worked perfectly fine without any build-up music and the creepy catacombs stayed creepy without the clichéd music. Romance was romance, even without a cheesy indie band playing in the backround. It worked, so major plus points for that.
Another totally worth it risk in the movie was the found footage. Which could go so wrong... ("Devil’s Due") …but worked in AASB. It may have looked forced here and there - characters having enough water/sand/falling death(?!)proof cameras conveniently laying around everywhere, but somehow it didn't bother me. As the movie took place in Paris’ catacombs and was actually filmed there, FF was the perfect solution. It gives you an odd feeling of claustrophobia while watching the movie.
There was no haunted house, no creepy dolls, no guy with a disturbing mask, no neglected asylum or exorcism. (Unlike 90% of the horror movies from the last decade.) It’s originality makes the movie. Neil Marshall's "The Descent” is the only movie in the world that I would put on the same level as AASB. And I freaking love The Descent.
So overall, ignore the haterz and have an open mind. Why not entertain yourself with an adventure story which will make you jump in your seat?